9781433127298-1433127296-Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations)

Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations)

ISBN-13: 9781433127298
ISBN-10: 1433127296
Edition: New
Author: Rebecca Ann Lind
Publication date: 2015
Publisher: Peter Lang Inc., International Academic Publishers
Format: Hardcover 299 pages
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Book details

ISBN-13: 9781433127298
ISBN-10: 1433127296
Edition: New
Author: Rebecca Ann Lind
Publication date: 2015
Publisher: Peter Lang Inc., International Academic Publishers
Format: Hardcover 299 pages

Summary

Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations) (ISBN-13: 9781433127298 and ISBN-10: 1433127296), written by authors Rebecca Ann Lind, was published by Peter Lang Inc., International Academic Publishers in 2015. With an overall rating of 4.3 stars, it's a notable title among other books. You can easily purchase or rent Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.33.

Description

Continuing the explorations begun in the first Produsing Theory volume, this book provides a site at which varied theories – some still emerging – can intersect and shine a light into the spaces between what previously had been neatly separated and discrete components of media systems. In some settings, division by audience, content, and production settings remains useful, but this volume, like the first, is all about the interstices. Contributors reflect varied perspectives in their approaches to the spaces formed as a result of rapidly developing and swiftly deploying new communications technologies and social software. They shine multiple spotlights into the intersection of audiences and production, providing a guide toward a nuanced understanding of the interstitial spaces.
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