9781433127281-1433127288-Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations)

Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations)

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Summary

Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations) (ISBN-13: 9781433127281 and ISBN-10: 1433127288), written by authors Rebecca Ann Lind, was published by Peter Lang Inc., International Academic Publishers in 2015. With an overall rating of 4.1 stars, it's a notable title among other Internet, Groupware, & Telecommunications (Networking & Cloud Computing, Psychology & Counseling, Telecommunications & Sensors, Engineering, Communication, Words, Language & Grammar , General, Psychology, Communication & Media Studies, Social Sciences, Politics & Government, Schools & Teaching) books. You can easily purchase or rent Produsing Theory in a Digital World 2.0: The Intersection of Audiences and Production in Contemporary Theory – Volume 2 (Digital Formations) (Paperback) from BooksRun, along with many other new and used Internet, Groupware, & Telecommunications books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Continuing the explorations begun in the first Produsing Theory volume, this book provides a site at which varied theories – some still emerging – can intersect and shine a light into the spaces between what previously had been neatly separated and discrete components of media systems. In some settings, division by audience, content, and production settings remains useful, but this volume, like the first, is all about the interstices.
Contributors reflect varied perspectives in their approaches to the spaces formed as a result of rapidly developing and swiftly deploying new communications technologies and social software. They shine multiple spotlights into the intersection of audiences and production, providing a guide toward a nuanced understanding of the interstitial spaces.

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