9781350170551-1350170550-Cultural Appropriation in Fashion and Entertainment

Cultural Appropriation in Fashion and Entertainment

ISBN-13: 9781350170551
ISBN-10: 1350170550
Author: Yuniya Kawamura, Jung-Whan Marc de Jong
Publication date: 2022
Publisher: Bloomsbury Visual Arts
Format: Paperback 240 pages
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Book details

ISBN-13: 9781350170551
ISBN-10: 1350170550
Author: Yuniya Kawamura, Jung-Whan Marc de Jong
Publication date: 2022
Publisher: Bloomsbury Visual Arts
Format: Paperback 240 pages

Summary

Cultural Appropriation in Fashion and Entertainment (ISBN-13: 9781350170551 and ISBN-10: 1350170550), written by authors Yuniya Kawamura, Jung-Whan Marc de Jong, was published by Bloomsbury Visual Arts in 2022. With an overall rating of 3.6 stars, it's a notable title among other Fashion & Textile (Industries, Communication & Media Studies, Social Sciences, Popular Culture, Cultural, Anthropology, Sociology) books. You can easily purchase or rent Cultural Appropriation in Fashion and Entertainment (Paperback) from BooksRun, along with many other new and used Fashion & Textile books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $8.68.

Description

Is it ever appropriate to "borrow" culturally inspired ideas? Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day.

Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the debate, exploring appropriation of cultures embedded in race, ethnicity, class, sexuality, and religion in entertainment as well as the clothing, textiles, jewelry, accessories, hairstyles, and tattoos we wear.

Case studies are drawn from K-pop, Bollywood dance, J-pop, Bhangra music, Jamaican reggae, hip hop and EDM fashion to explore how, when, and why cultural borrowing or appreciation can become cultural appropriation. There's also discussion of subcultural territories that extend beyond geography, race and ethnicity, such as cosplay and LGBTQI+ communities.

By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.

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