9780791426265-0791426262-Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism (Suny Series, Postmodern Culture) (Suny Postmodern Culture)

Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism (Suny Series, Postmodern Culture) (Suny Postmodern Culture)

ISBN-13: 9780791426265
ISBN-10: 0791426262
Author: Russell A. Potter
Publication date: 1995
Publisher: State University of New York Press
Format: Paperback 208 pages
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ISBN-13: 9780791426265
ISBN-10: 0791426262
Author: Russell A. Potter
Publication date: 1995
Publisher: State University of New York Press
Format: Paperback 208 pages

Summary

Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism (Suny Series, Postmodern Culture) (Suny Postmodern Culture) (ISBN-13: 9780791426265 and ISBN-10: 0791426262), written by authors Russell A. Potter, was published by State University of New York Press in 1995. With an overall rating of 3.9 stars, it's a notable title among other Musical Genres (Black & African American, Cultural & Regional, Social Sciences, Cultural, Anthropology, Sociology, Music) books. You can easily purchase or rent Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism (Suny Series, Postmodern Culture) (Suny Postmodern Culture) (Paperback) from BooksRun, along with many other new and used Musical Genres books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.6.

Description

Viewing hip-hop as the postmodern successor to African American culture's Jazz modernism, this book examines hip-hop music's role in the history of the African-American experience.

Spectacular Vernaculars examines hip-hop’s cultural rebellion in terms of its specific implications for postmodern theory and practice, using the politics of reception as its primary rhetorical ground. Hip-hop culture in general, and rap music in particular, present model sites for such an inquiry, since they enact both postmodern modes of production―the appropriation of tropes, technologies, and material culture―and a potential means of resistance to the commodification of cultural forms under late capitalism. By paying specific attention to the historical and cultural context of hip-hop as a black artform and locating its practice of resistance in terms of a postmodernist reading of consumer culture, this book offers a complex reading of hip-hop as a postmodern practice, with implications both for theories of postmodernism and cultural studies as a whole.
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