9780465008971-0465008976-The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters

The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters

ISBN-13: 9780465008971
ISBN-10: 0465008976
Edition: 11.2.2008
Author: Tricia Rose
Publication date: 2008
Publisher: Civitas Books
Format: Paperback 320 pages
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Book details

ISBN-13: 9780465008971
ISBN-10: 0465008976
Edition: 11.2.2008
Author: Tricia Rose
Publication date: 2008
Publisher: Civitas Books
Format: Paperback 320 pages

Summary

The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters (ISBN-13: 9780465008971 and ISBN-10: 0465008976), written by authors Tricia Rose, was published by Civitas Books in 2008. With an overall rating of 4.0 stars, it's a notable title among other History & Criticism (Music, Criticism, Arts History & Criticism, Sociology) books. You can easily purchase or rent The Hip Hop Wars: What We Talk About When We Talk About Hip Hop--and Why It Matters (Paperback, Used) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.17.

Description

How hip hop shapes our conversations about race--and how race influences our consideration of hip hop
Hip hop is a distinctive form of black art in America-from Tupac to the Pulitzer Prize-winning Kendrick Lamar, hip hop has long given voice to the African American experience. As scholar and cultural critic Tricia Rose argues, hip hop, in fact, has become one of the primary ways we talk about race in the United States.

But hip hop is in crisis. For years, the most commercially successful hip hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and hos. This both represents and feeds a problem in black American culture. Or does it? In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip hop cause violence, or merely reflect a violent ghetto culture? Is hip hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip hop undermine black advancement?

A potent exploration of a divisive and important subject, The Hip Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.

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