9780300171297-0300171293-No Such Thing as Silence: John Cage's 4'33" (Icons of America)

No Such Thing as Silence: John Cage's 4'33" (Icons of America)

ISBN-13: 9780300171297
ISBN-10: 0300171293
Edition: Illustrated
Author: Kyle Gann
Publication date: 2011
Publisher: Yale University Press
Format: Paperback 272 pages
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Book details

ISBN-13: 9780300171297
ISBN-10: 0300171293
Edition: Illustrated
Author: Kyle Gann
Publication date: 2011
Publisher: Yale University Press
Format: Paperback 272 pages

Summary

No Such Thing as Silence: John Cage's 4'33" (Icons of America) (ISBN-13: 9780300171297 and ISBN-10: 0300171293), written by authors Kyle Gann, was published by Yale University Press in 2011. With an overall rating of 4.1 stars, it's a notable title among other History & Criticism (Music) books. You can easily purchase or rent No Such Thing as Silence: John Cage's 4'33" (Icons of America) (Paperback, Used) from BooksRun, along with many other new and used History & Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.32.

Description

A vibrant portrait of the importance, influence, and impact of John Cage’s iconic piece 4'33" by a leading modern music critic

First performed at the midpoint of the twentieth century, John Cage’s 4'33", a composition conceived of without a single musical note,is among the most celebrated and ballyhooed cultural gestures in the history of modern music. A meditation on the act of listening and the nature of performance, Cage’s controversial piece became the iconic statement of the meaning of silence in art and is a landmark work of American music.

In this book, Kyle Gann, one of the nation’s leading music critics, explains 4'33" as a unique moment in American culture and musical composition. Finding resemblances and resonances of 4'33" in artworks as wide-ranging as the paintings of the Hudson River School and the music of John Lennon and Yoko Ono,he provides much-needed cultural context for this fundamentally challenging and often misunderstood piece. Gann also explores Cage’s craft, describing in illuminating detail the musical, philosophical, and even environmental influences that informed this groundbreaking piece of music. Having performed 4'33" himself and as a composer in his own right, Gann offers the reader both an expert’s analysis and a highly personal interpretation of Cage’s most divisive work.

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