9780300149500-0300149506-The Statue of Liberty: A Transatlantic Story (Icons of America)

The Statue of Liberty: A Transatlantic Story (Icons of America)

ISBN-13: 9780300149500
ISBN-10: 0300149506
Edition: Illustrated
Author: Edward Berenson
Publication date: 2012
Publisher: Yale University Press
Format: Hardcover 256 pages
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Book details

ISBN-13: 9780300149500
ISBN-10: 0300149506
Edition: Illustrated
Author: Edward Berenson
Publication date: 2012
Publisher: Yale University Press
Format: Hardcover 256 pages

Summary

The Statue of Liberty: A Transatlantic Story (Icons of America) (ISBN-13: 9780300149500 and ISBN-10: 0300149506), written by authors Edward Berenson, was published by Yale University Press in 2012. With an overall rating of 3.7 stars, it's a notable title among other Buildings (State & Local, United States History, Architecture) books. You can easily purchase or rent The Statue of Liberty: A Transatlantic Story (Icons of America) (Hardcover) from BooksRun, along with many other new and used Buildings books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

A stirring new history of Lady Liberty, from its creation in France to its renewed significance in the post-9/11 years

A universally recognized icon, the Statue of Liberty is perhaps the most beloved of all American symbols. Yet no one living in 1885, when the crated monument arrived in New York Harbor, could have foreseen the central place the Statue of Liberty would come to occupy in the American imagination. With the particular insights of a cultural historian and scholar of French history, Edward Berenson tells the little-known stories of the statue’s improbable beginnings, transatlantic connections, and the changing meanings it has held for each successive American generation.

Berenson begins with the French intellectuals who decided for their own domestic political reasons to pay monumental tribute to American liberty. Without any official backing, they designed the statue, announced the gift, and determined where it should go. The initial American response, not surprisingly, was less than enthusiastic, and the project had to overcome countless difficulties before the statue was at last unveiled to the public in New York Harbor in 1886. The trials of its inception and construction, however, are only half of the story. Berenson shows that the statue’s symbolically indistinct, neoclassical form has allowed Americans to interpret its meaning in diverse ways: as representing the emancipation of the slaves, Tocqueville's idea of orderly liberty, opportunity for "huddled masses," and, in the years since 9/11, the freedom and resilience of New York City and the United States in the face of terror.

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