9780262535830-0262535831-Craft (Whitechapel: Documents of Contemporary Art)

Craft (Whitechapel: Documents of Contemporary Art)

ISBN-13: 9780262535830
ISBN-10: 0262535831
Author: Tanya Harrod
Publication date: 2018
Publisher: The MIT Press
Format: Paperback 240 pages
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Book details

ISBN-13: 9780262535830
ISBN-10: 0262535831
Author: Tanya Harrod
Publication date: 2018
Publisher: The MIT Press
Format: Paperback 240 pages

Summary

Craft (Whitechapel: Documents of Contemporary Art) (ISBN-13: 9780262535830 and ISBN-10: 0262535831), written by authors Tanya Harrod, was published by The MIT Press in 2018. With an overall rating of 3.6 stars, it's a notable title among other books. You can easily purchase or rent Craft (Whitechapel: Documents of Contemporary Art) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

A secret history of craft told through lost and overlooked texts that illuminate our understanding of current art practice.

“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers as well as poetry, fiction, anthropology, and sociology. It maps a secret history of craft through lost and overlooked texts that consider pedagogy, design, folk art, the factory, and new media in ways that illuminate our understanding of current art practice.

Recently, the idea of craft has been employed strategically: to confront issues of gender or global development, to make a stand against artistic academicism, or to engage with making processes―some distinctly archaic―employed to suggest the abject and the everyday. Craft activism, or craftivism, suggests a new political purpose for the handmade. Deep anxieties drive today's technophilia, and artists, designers, and makers turn such anxieties into a variety of dynamic engagements. The contributors' reflections on new technologies and materials, lost and found worlds of handwork, and the politics of work all throw light on craft as process, product, and ideology. Craft will serve as a vital resource for understanding technologies, materials, techniques, and tools through the lens of craft in contemporary art.

Artists surveyed include
Magdalena Abakanowicz, Anni Albers, El Anatsui, Carl Andre, Aaron Angell, Ruth Asawa, Phyllida Barlow, Louise Bourgeois, Neil Brownsword, Annie Cattrell, Edmund de Waal, Harun Farocki, Lucio Fontana, Karl Fritsch, Martino Gamper, Theaster Gates, Gee's Bend Quiltmakers, Sabrina Gschwandtner, Sheila Hicks, Donald Judd, Ana Lupas, Lu Shengzhong, Enzo Mari, Mario Merz, Martin Puryear, Jessi Reaves, Bridget Riley, Ettore Sottsas, Studio Formafantasma, Francis Upritchard, Peter Voulkos

Writers include
Glenn Adamson, Elissa Auther, Reyner Banham, Jean Baudrillard, Susan S. Bean, Walter Benjamin, John Berger, Julia Bryan-Wilson, Giovanni Contini, Alfred Gell, Cathy Gere, Walter Gropius, Henry Heerup, bell hooks, Ulrich Lehmann, Lucy R. Lippard, Sarat Maharaj, Karl Marx, Sadie Plant, Nancy Princenthal, Rainer Maria Rilke, John Roberts, Kenneth E. Silver, Jenni Sorkin

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