9780262528092-0262528096-Materiality (Whitechapel: Documents of Contemporary Art)

Materiality (Whitechapel: Documents of Contemporary Art)

ISBN-13: 9780262528092
ISBN-10: 0262528096
Author: Petra Lange-Berndt
Publication date: 2015
Publisher: The MIT Press
Format: Paperback 240 pages
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Book details

ISBN-13: 9780262528092
ISBN-10: 0262528096
Author: Petra Lange-Berndt
Publication date: 2015
Publisher: The MIT Press
Format: Paperback 240 pages

Summary

Materiality (Whitechapel: Documents of Contemporary Art) (ISBN-13: 9780262528092 and ISBN-10: 0262528096), written by authors Petra Lange-Berndt, was published by The MIT Press in 2015. With an overall rating of 3.7 stars, it's a notable title among other Criticism (Arts History & Criticism, History) books. You can easily purchase or rent Materiality (Whitechapel: Documents of Contemporary Art) (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $3.38.

Description

Essays consider recent artistic and critical approaches to materiality, focusing on the moments when materials become willful actors and agents within artistic processes.

Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter―considering material as the essentialized basis of medium specificity―and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools.

This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of “dematerialization”; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation.

Artists surveyed include
Georges Adéagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoumè, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker

Writers include
Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-François Lyotard, Dietmar Rübel, Monika Wagner, Gillian Whiteley

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