9780262535397-0262535394-Practice (Whitechapel: Documents of Contemporary Art)

Practice (Whitechapel: Documents of Contemporary Art)

ISBN-13: 9780262535397
ISBN-10: 0262535394
Author: Marcus Boon, Gabriel Levine
Publication date: 2018
Publisher: The MIT Press
Format: Paperback 240 pages
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Book details

ISBN-13: 9780262535397
ISBN-10: 0262535394
Author: Marcus Boon, Gabriel Levine
Publication date: 2018
Publisher: The MIT Press
Format: Paperback 240 pages

Summary

Practice (Whitechapel: Documents of Contemporary Art) (ISBN-13: 9780262535397 and ISBN-10: 0262535394), written by authors Marcus Boon, Gabriel Levine, was published by The MIT Press in 2018. With an overall rating of 4.2 stars, it's a notable title among other History (Arts History & Criticism) books. You can easily purchase or rent Practice (Whitechapel: Documents of Contemporary Art) (Paperback) from BooksRun, along with many other new and used History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.67.

Description

The first anthology to investigate what contemporary notions of practice mean for art, tracing their development and speculating on where this leads.

“Practice” is one of the key words of contemporary art, used in contexts ranging from artists' descriptions of their practice to curatorial practice, from social practice to practice-based research. This is the first anthology to investigate what contemporary notions of practice mean for art, tracing their development and speculating on where this leads.

Reframing the question of practice offers new ways of reading the history of art and of evaluating particular forms of practice-based art. Once used to denote “doing,” as distinct from thinking and making, today the term can convey associations of political action (praxis), professional activity, discipline, or rehearsal, and signal a shift away from the self-enclosed artwork or medium to open-ended actions, series, processes, and projects. Although the turn to practice might promise freedom from finality or eventfulness, it also reflects the neoliberal pressures to train oneself, to perform, and to rehearse a marketable set of skills. This book offers an indispensible guide to the art history and theoretical framework of art-as-practice, clarifying the complex issues at stake in thinking about and enacting practice.

Artists surveyed include
Arakawa, Rebecca Belmore, AA Bronson, Judy Chicago, Lygia Clark, Andrea Fraser, Madeline Gins, Tehching Hsieh, Mary Kelly, Henri Michaux, Linda M. Montano, Pauline Oliveros, Yoko Ono, Adrian Piper, Raivo Puusemp, Rammellzee, Gerhard Richter, Miriam Schapiro, Carolee Schneemann, Gregory Sholette, Aliza Shvarts, Situationist International, Jonas Staal, Stelarc, Fiona Tan, Min Tanaka, Nadezhda Tolokonnikova, Cecilia Vicuña

Writers include
Kathy Acker, Giorgio Agamben, Louis Althusser, Hannah Arendt, Alain Badiou, Lauren Berlant, Gregg Bordowitz, Pierre Bourdieu, Julia Bryan-Wilson, Judith Butler, Jennifer Doyle, Okwui Enwezor, Saidiya V. Hartman, Maulana Karenga, Julia Kristeva, Saba Mahmood, Viktor Misiano, Fred Moten, Paul B. Preciado, Lane Relyea, Suely Rolnik, Peter Sloterdijk, Isabelle Stengers, Winnie Won Yin Wong

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