9789067181334-9067181331-Beyond the Realm of Senses: The Balinese Ritual of Kekawin Composition (Kitlv) (Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde)

Beyond the Realm of Senses: The Balinese Ritual of Kekawin Composition (Kitlv) (Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde)

ISBN-13: 9789067181334
ISBN-10: 9067181331
Author: Rubenstein, Raechelle Rubinstein
Publication date: 2000
Publisher: Brill
Format: Paperback 293 pages
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Book details

ISBN-13: 9789067181334
ISBN-10: 9067181331
Author: Rubenstein, Raechelle Rubinstein
Publication date: 2000
Publisher: Brill
Format: Paperback 293 pages

Summary

Beyond the Realm of Senses: The Balinese Ritual of Kekawin Composition (Kitlv) (Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde) (ISBN-13: 9789067181334 and ISBN-10: 9067181331), written by authors Rubenstein, Raechelle Rubinstein, was published by Brill in 2000. With an overall rating of 3.9 stars, it's a notable title among other books. You can easily purchase or rent Beyond the Realm of Senses: The Balinese Ritual of Kekawin Composition (Kitlv) (Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land- En Volkenkunde) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.32.

Description

This book is the first comprehensive study of the practice of "kekawin" composition in Bali. Based on field research and a diverse range of palm leaf texts, it explores Balinese perceptions of "kekawin" composition and demonstrates the nexus between religion and the writing of these poems. Like "kekawin" from ancient Java, Balinese "kekawin" have been conceived as a mystical means of unification with divinity, as temples of language. In the first part of the book Bali is shown to be a society of religious literacy, and alphabet magic and the religious beliefs that underpin literary activity are examined. The second part explores Balinese conceptions of the practice of "kekawin" composition as literary yoga. Both the priestly identity of poets and the act of composing as a religious ritual are considered. The final section investigates the craft of composition through texts that concern prosody, poetics and orthography: the "Canda," the "Bhasaprana" and the "Swarawyanjana."

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