9789058677914-9058677915-Miscellaneous Texts, Volume I: Aesthetics and Theory of Art (Jean-Francois Lyotard: Writings on Contemporary Art and Artists) (VOLUME 1)

Miscellaneous Texts, Volume I: Aesthetics and Theory of Art (Jean-Francois Lyotard: Writings on Contemporary Art and Artists) (VOLUME 1)

ISBN-13: 9789058677914
ISBN-10: 9058677915
Edition: Bilingual
Author: Jean-François Lyotard, Herman Parret
Publication date: 2012
Publisher: Leuven University Press
Format: Hardcover 264 pages
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Book details

ISBN-13: 9789058677914
ISBN-10: 9058677915
Edition: Bilingual
Author: Jean-François Lyotard, Herman Parret
Publication date: 2012
Publisher: Leuven University Press
Format: Hardcover 264 pages

Summary

Miscellaneous Texts, Volume I: Aesthetics and Theory of Art (Jean-Francois Lyotard: Writings on Contemporary Art and Artists) (VOLUME 1) (ISBN-13: 9789058677914 and ISBN-10: 9058677915), written by authors Jean-François Lyotard, Herman Parret, was published by Leuven University Press in 2012. With an overall rating of 3.8 stars, it's a notable title among other books. You can easily purchase or rent Miscellaneous Texts, Volume I: Aesthetics and Theory of Art (Jean-Francois Lyotard: Writings on Contemporary Art and Artists) (VOLUME 1) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.6.

Description

The first volume of Jean-Francois Lyotard's Miscellaneous Texts on contemporary art and artists, Aesthetics and Theory of Art, contains nine essays on general aesthetics and the theory of art. They are published in the original French along with the translations in English. Most of these texts, preserved in the Lyotard archives of the Bibliotheque Litteraire Jacques Doucet in Paris, are presented here for the first time. They cover the whole period of his production, from 1969 to 1997, and they make the development of his philosophy of art explicit. After the "libidinal" conception of art in his early writings, the "Kantian twist" of around 1980 places his view on art under the aegis of the sublime.

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