9789004140035-9004140034-Annaeana Tragica: Notes On The Text Of Seneca's Tragedies (Mnemosyne, Bibliotheca Classica Batava Supplementum)

Annaeana Tragica: Notes On The Text Of Seneca's Tragedies (Mnemosyne, Bibliotheca Classica Batava Supplementum)

ISBN-13: 9789004140035
ISBN-10: 9004140034
Author: John Fitch
Publication date: 2004
Publisher: Brill Academic Pub
Format: Hardcover 293 pages
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ISBN-13: 9789004140035
ISBN-10: 9004140034
Author: John Fitch
Publication date: 2004
Publisher: Brill Academic Pub
Format: Hardcover 293 pages

Summary

Annaeana Tragica: Notes On The Text Of Seneca's Tragedies (Mnemosyne, Bibliotheca Classica Batava Supplementum) (ISBN-13: 9789004140035 and ISBN-10: 9004140034), written by authors John Fitch, was published by Brill Academic Pub in 2004. With an overall rating of 4.2 stars, it's a notable title among other Interior Design (Architecture, Interior & Home Design, Decorative Arts & Design) books. You can easily purchase or rent Annaeana Tragica: Notes On The Text Of Seneca's Tragedies (Mnemosyne, Bibliotheca Classica Batava Supplementum) (Hardcover) from BooksRun, along with many other new and used Interior Design books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This volume is a companion to the author's new Loeb edition of Seneca's tragedies (vol. 1, 2002; vol. 2, 2004). It offers reasons for his editorial choices, and explains his interpretations of the text as reflected in his translation. Hercules Oetanus and Octavia, now generally regarded as imitations of Senecan drama, are both included.The volume is intended to be read alongside Otto Zwierlein's Kritische Kommentar, published in 1986. In the intervening years there has been much new work pertaining to Seneca's text, including full-scale editions with commentary on individual plays, such as Keulen's Troades, Töchterle's Oedipus and Ferri's Octavia. Annaeana Tragica seeks to supplement and advance Zwierlein's work in the light of this new material.An appendix reviews the scholarly controversy concerning the anapaestic odes of these plays, and offers fresh evidence relevant to the issue.
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