9783956795985-3956795989-Leslie Thornton

Leslie Thornton

ISBN-13: 9783956795985
ISBN-10: 3956795989
Author: Natalie Bell, Dan Kidner, Milan Ther
Publication date: 2022
Publisher: Sternberg Press
Format: Paperback 224 pages
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Book details

ISBN-13: 9783956795985
ISBN-10: 3956795989
Author: Natalie Bell, Dan Kidner, Milan Ther
Publication date: 2022
Publisher: Sternberg Press
Format: Paperback 224 pages

Summary

Leslie Thornton (ISBN-13: 9783956795985 and ISBN-10: 3956795989), written by authors Natalie Bell, Dan Kidner, Milan Ther, was published by Sternberg Press in 2022. With an overall rating of 4.2 stars, it's a notable title among other Monographs (Individual Artists, Film & Video Art, Photography & Video, History, Arts History & Criticism) books. You can easily purchase or rent Leslie Thornton (Paperback) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.32.

Description

The first monograph on artist and filmmaker Leslie Thornton: essential, foundational scholarship on her influential work in film and video.

Produced on the occasion of a major solo exhibition of Leslie Thornton at the MIT List Visual Arts Center, as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume will be the first monograph on this important artist and filmmaker, and offers essential, foundational scholarship on Thornton's influential work in film and video.
 
Thornton's early encounters with experimental, structuralist, and cinéma vérité traditions fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Her work consistently interrogates modes of representation and the violence of looking, pushing beyond critiques of the gaze to consider biases in perception, or the way voice and sound can undermine an otherwise dominant visual narrative.
 
Copublished with MIT List Visual Arts Center and Kunstverein Nürnberg
 

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