9783956794667-3956794664-The Place Is Here: The Work of Black Artists in 1980s Britain (Sternberg Press)

The Place Is Here: The Work of Black Artists in 1980s Britain (Sternberg Press)

ISBN-13: 9783956794667
ISBN-10: 3956794664
Author: Nick Aikens, Elizabeth Robles
Publication date: 2019
Publisher: Sternberg Press
Format: Paperback 432 pages
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Book details

ISBN-13: 9783956794667
ISBN-10: 3956794664
Author: Nick Aikens, Elizabeth Robles
Publication date: 2019
Publisher: Sternberg Press
Format: Paperback 432 pages

Summary

The Place Is Here: The Work of Black Artists in 1980s Britain (Sternberg Press) (ISBN-13: 9783956794667 and ISBN-10: 3956794664), written by authors Nick Aikens, Elizabeth Robles, was published by Sternberg Press in 2019. With an overall rating of 3.8 stars, it's a notable title among other books. You can easily purchase or rent The Place Is Here: The Work of Black Artists in 1980s Britain (Sternberg Press) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

: A richly illustrated collection of artworks, essays, and conversations that offer a range of perspectives on black art in Thatcherite Britain.

The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media.

The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material.

Contributors

Nick Aikens, Sonia Boyce, Laura Castagnini, Deborah Cherry, Alice Correia, Chandra Frank, June Givanni, Sunil Gupta, Evan Ifekoya, Claudette Johnson, Raisa Kabir, Gail Lewis, Amna Malik, Samia Malik, Priyesh Mistry, Dorothy Price, susan pui san lok, Raju Rage, Elizabeth Robles, Ashwani Sharma, Marlene Smith, Leon Wainwright, Michelle Williams Gamaker, Rehana Zaman

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