9783941185500-3941185500-Thomas Ruff: Surfaces, Depths

Thomas Ruff: Surfaces, Depths

ISBN-13: 9783941185500
ISBN-10: 3941185500
Author: Douglas Fogle, Gerald Matt, Cathérine Hug, Kurt Forster
Publication date: 2009
Publisher: Verlag für moderne Kunst
Format: Hardcover 288 pages
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Book details

ISBN-13: 9783941185500
ISBN-10: 3941185500
Author: Douglas Fogle, Gerald Matt, Cathérine Hug, Kurt Forster
Publication date: 2009
Publisher: Verlag für moderne Kunst
Format: Hardcover 288 pages

Summary

Thomas Ruff: Surfaces, Depths (ISBN-13: 9783941185500 and ISBN-10: 3941185500), written by authors Douglas Fogle, Gerald Matt, Cathérine Hug, Kurt Forster, was published by Verlag für moderne Kunst in 2009. With an overall rating of 3.6 stars, it's a notable title among other books. You can easily purchase or rent Thomas Ruff: Surfaces, Depths (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.45.

Description

Surfaces, Depths is a representative selection of Thomas Ruff's works, over a period that already spans about 25 years, with projects ranging from portraits and interiors to telescope and space probe pictures and "nightsight" photography. Ruff incorporates an extremely wide range of everyday subjects into his experiments--people, architecture, planets, the Internet--and subjects them to all forms of camera technology, so that his work often seems to embody the history of the art as it develops. Ruff has a particular fascination with photographic techniques that appear to erase or leave out the artist's hand, techniques often designed for military or scientific purposes. In a recent series titled Zycles, for example, Ruff constructs his images with the help of mathematical formulas and computer technology, twisting two-dimensional surfaces into the three-dimensional space of vector graphics. Surfaces and Depths focuses on ten of Ruff's total of 18 projects to address this particular ongoing preoccupation with artistic detachment, and the polarities of surface and depth vision in the construction of images. In doing so, it makes the broadest assessment to date of the oeuvre of this tireless innovator.
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