9783832190484-3832190481-Sigmar Polke: Miracle of Siegen, The Lens Paintings/ Wunder Von Siegen, Die Linsenbilder (English and German Edition)

Sigmar Polke: Miracle of Siegen, The Lens Paintings/ Wunder Von Siegen, Die Linsenbilder (English and German Edition)

ISBN-13: 9783832190484
ISBN-10: 3832190481
Edition: Bilingual
Author: Eva Schmidt, Siegfried Gohr, Charles W. Haxthausen
Publication date: 1899
Publisher: Dumont
Format: Hardcover 124 pages
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Book details

ISBN-13: 9783832190484
ISBN-10: 3832190481
Edition: Bilingual
Author: Eva Schmidt, Siegfried Gohr, Charles W. Haxthausen
Publication date: 1899
Publisher: Dumont
Format: Hardcover 124 pages

Summary

Sigmar Polke: Miracle of Siegen, The Lens Paintings/ Wunder Von Siegen, Die Linsenbilder (English and German Edition) (ISBN-13: 9783832190484 and ISBN-10: 3832190481), written by authors Eva Schmidt, Siegfried Gohr, Charles W. Haxthausen, was published by Dumont in 1899. With an overall rating of 3.9 stars, it's a notable title among other books. You can easily purchase or rent Sigmar Polke: Miracle of Siegen, The Lens Paintings/ Wunder Von Siegen, Die Linsenbilder (English and German Edition) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Sigmar Polke (born 1941) has been experimenting for more than 40 years with different styles and subject matter as well as with a variety of materials and techniques. His creative diversity is demonstrated powerfully in the new group of works presented in this book, the so-called ‘lenticular pictures’, or lens paintings. Polke applies a layer of structure gel, usually used to thicken acrylic paint, to a previously painted picture and then slides a saw-toothed scraper over the surface, to which he later adds more paint. The resulting works have an unexpected three-dimensional quality, providing the viewer with different images according to the angle from which the painting is viewed. Photographs showing the paintings in progress – all specially selected for the book by Polke – reveal the artist’s idiosyncratic use of surface, his application of colour and his subtly humorous way of combining abstraction and realism.
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