9783791359465-3791359460-Paul McCarthy: Head Space, Drawings 1963-2019

Paul McCarthy: Head Space, Drawings 1963-2019

ISBN-13: 9783791359465
ISBN-10: 3791359460
Author: Aram Moshayedi, Connie Bulter
Publication date: 2020
Publisher: Prestel
Format: Hardcover 256 pages
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Book details

ISBN-13: 9783791359465
ISBN-10: 3791359460
Author: Aram Moshayedi, Connie Bulter
Publication date: 2020
Publisher: Prestel
Format: Hardcover 256 pages

Summary

Paul McCarthy: Head Space, Drawings 1963-2019 (ISBN-13: 9783791359465 and ISBN-10: 3791359460), written by authors Aram Moshayedi, Connie Bulter, was published by Prestel in 2020. With an overall rating of 3.9 stars, it's a notable title among other Monographs (Individual Artists) books. You can easily purchase or rent Paul McCarthy: Head Space, Drawings 1963-2019 (Hardcover) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This book looks at Paul McCarthy's drawings, a rarely examined aspect of his oeuvre, and offers a greater understanding of the work of this provocative artist.

A prolific social critic, Paul McCarthy is best known for his work in performance, installation, film, and sculpture. His works reference American cultural archetypes such as Disneyland, B movies, soap operas, comic books, and contemporary politics. His drawings and films skewer, often profanely, mass media and consumer-driven American society by pointing to its hypocrisy, double standards, and repression. McCarthy's work is also deeply influenced by European avant-garde art, especially by figures such as Joseph Beuys and Samuel Beckett, and Viennese Actionism. McCarthy's drawings share the same visual language as his three-dimensional works: violence, humor, sex, politics, art history, and popular culture. Featuring 50 years of works on paper in charcoal, pencil, pen and ink, and collage, this selection includes pieces from McCarthy's renowned White Snow series, his contributions to the Plato in L.A. project at the Getty Museum, and recent sketches in which, unsurprisingly given the current political climate, McCarthy's gloves-off approach feels both necessary and inevitable. This book reveals an important aspect of his drawing techniques, and situates his works on paper as one of the most significant in contemporary art.

Published with the Hammer Museum

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