9783775723312-3775723315-Every Thing Design: The Collections of the Museum für Gestaltung Zürich

Every Thing Design: The Collections of the Museum für Gestaltung Zürich

ISBN-13: 9783775723312
ISBN-10: 3775723315
Author: Glenn Adamson, Christian Brändle, Verena Formanek
Publication date: 2009
Publisher: Hatje Cantz
Format: Hardcover 800 pages
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Book details

ISBN-13: 9783775723312
ISBN-10: 3775723315
Author: Glenn Adamson, Christian Brändle, Verena Formanek
Publication date: 2009
Publisher: Hatje Cantz
Format: Hardcover 800 pages

Summary

Every Thing Design: The Collections of the Museum für Gestaltung Zürich (ISBN-13: 9783775723312 and ISBN-10: 3775723315), written by authors Glenn Adamson, Christian Brändle, Verena Formanek, was published by Hatje Cantz in 2009. With an overall rating of 4.5 stars, it's a notable title among other Industrial & Product Design (Decorative Arts & Design) books. You can easily purchase or rent Every Thing Design: The Collections of the Museum für Gestaltung Zürich (Hardcover) from BooksRun, along with many other new and used Industrial & Product Design books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

The great Dutch book designer Irma Boom designed this handsome, hefty gem, which features 700 prints, posters and other objects from the collection of Zurich's Gestaltung Museum. It is a collection renowned worldwide for its unsurpassed holdings of design masterpieces: Ettore Sottsass's iconic red "Valentine" typewriter from 1969, Paul Rand's 1950 poster for the film No Way Out, as well as graphic works by Toulouse-Lautrec and El Lissitzky, and a range of works by Richard Paul Lohse, Harry Bertoia, Willy Guhl, Makoto Saito, FHK Henrion and many other great designers. Founded in 1875, the museum's collection focuses on twentieth-century mass-manufactured products, comprising over 10,000 objects and 20,000 examples of packaging, from famous designs to anonymous everyday objects; a graphics collection containing over 100,000 items from around the world, dating from the fifteenth century to the present; a collection of 300,000 posters and an applied arts collection, showcasing work from the nineteenth and twentieth centuries that covers the overlap between industrial manufacturing, design and art. With beautiful, full-page spreads, Every Thing Design, like the Gestaltung Museum itself, expands our conceptions of what design is, unpacking how a designed object is perceived and how this perception changes over time. It examines the criteria museums use for acquisition, and how the objects' significance and value are established. The result is a surprising reconsideration of trends, production techniques and public reception.

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