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Gunter Umberg: Body of Painting: Pictures from Cologne-based Collections
ISBN-13:
9783775709637
ISBN-10:
3775709630
Author:
Oskar Kokoschka, Ellsworth Kelly, Jasper Johns, Yves Klein, Sam Francis, Jonathan Lasker, Hans Hofmann, Jochen Poetter, Jo Baer, Ingrid Calame, Helmut Federle, Gunter Umberg, Richard Artschwager, Brice Marden, Sigmar Polke, Reed
Publication date:
2001
Publisher:
Hatje Cantz Publishers
Format:
Paperback
200 pages
FREE US shipping
Book details
ISBN-13:
9783775709637
ISBN-10:
3775709630
Author:
Oskar Kokoschka, Ellsworth Kelly, Jasper Johns, Yves Klein, Sam Francis, Jonathan Lasker, Hans Hofmann, Jochen Poetter, Jo Baer, Ingrid Calame, Helmut Federle, Gunter Umberg, Richard Artschwager, Brice Marden, Sigmar Polke, Reed
Publication date:
2001
Publisher:
Hatje Cantz Publishers
Format:
Paperback
200 pages
Summary
Gunter Umberg: Body of Painting: Pictures from Cologne-based Collections (ISBN-13: 9783775709637 and ISBN-10: 3775709630), written by authors
Oskar Kokoschka, Ellsworth Kelly, Jasper Johns, Yves Klein, Sam Francis, Jonathan Lasker, Hans Hofmann, Jochen Poetter, Jo Baer, Ingrid Calame, Helmut Federle, Gunter Umberg, Richard Artschwager, Brice Marden, Sigmar Polke, Reed, was published by Hatje Cantz Publishers in 2001.
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Description
For Body of Painting, Gnter Umberg has placed his own oeuvre within the context of images by other artists with whom he feels a special affinity. The other artists featured include Jasper Johns, Sigmar Polke, Ellsworth Kelly, Yves Klein, Jessica Stockholder, Gerhard Richter, Brice Marden, Robert Ryman, Piero Manzoni, Andy Warhol, Jo Baer, Ingrid Calame, Helmut Federle, Dan Flavin, Sam Francis, Hans Hoffman, Oskar Kokoschka, Jonathan Lasker, and David Reed, among others. Together, these works create a discursive dialogue which allows viewers to grasp relationships of both harmony and discord among a multiplicitous network of texts, with surprising and engaging results. Umberg's own pieces can definitely be counted among the many highlights of this collection--his paintings break the bounds of the visible; they form imaginary fields of extreme openness whose velvety blackness both envelops and releases the viewer.
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