9783319960494-3319960490-Patricia Highsmith on Screen (Palgrave Studies in Adaptation and Visual Culture)

Patricia Highsmith on Screen (Palgrave Studies in Adaptation and Visual Culture)

ISBN-13: 9783319960494
ISBN-10: 3319960490
Edition: 1st ed. 2018
Author: Douglas McFarland, Wieland Schwanebeck
Publication date: 2018
Publisher: Palgrave Macmillan
Format: Hardcover 312 pages
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Book details

ISBN-13: 9783319960494
ISBN-10: 3319960490
Edition: 1st ed. 2018
Author: Douglas McFarland, Wieland Schwanebeck
Publication date: 2018
Publisher: Palgrave Macmillan
Format: Hardcover 312 pages

Summary

Patricia Highsmith on Screen (Palgrave Studies in Adaptation and Visual Culture) (ISBN-13: 9783319960494 and ISBN-10: 3319960490), written by authors Douglas McFarland, Wieland Schwanebeck, was published by Palgrave Macmillan in 2018. With an overall rating of 4.0 stars, it's a notable title among other books. You can easily purchase or rent Patricia Highsmith on Screen (Palgrave Studies in Adaptation and Visual Culture) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.
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