9783319837147-3319837141-All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment (Computational Music Science)

All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment (Computational Music Science)

ISBN-13: 9783319837147
ISBN-10: 3319837141
Edition: Softcover reprint of the original 1st ed. 2016
Author: Guerino Mazzola, Yan Pang, Maria Mannone, Margaret OBrien, Nathan Torunsky
Publication date: 2018
Publisher: Springer
Format: Paperback 204 pages
FREE US shipping
Buy

From $52.61

Book details

ISBN-13: 9783319837147
ISBN-10: 3319837141
Edition: Softcover reprint of the original 1st ed. 2016
Author: Guerino Mazzola, Yan Pang, Maria Mannone, Margaret OBrien, Nathan Torunsky
Publication date: 2018
Publisher: Springer
Format: Paperback 204 pages

Summary

All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment (Computational Music Science) (ISBN-13: 9783319837147 and ISBN-10: 3319837141), written by authors Guerino Mazzola, Yan Pang, Maria Mannone, Margaret OBrien, Nathan Torunsky, was published by Springer in 2018. With an overall rating of 4.3 stars, it's a notable title among other Music (Data Processing, Databases & Big Data, Applied, Mathematics) books. You can easily purchase or rent All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment (Computational Music Science) (Paperback) from BooksRun, along with many other new and used Music books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book