9783319836829-331983682X-A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (Current Research in Systematic Musicology, 3)

A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (Current Research in Systematic Musicology, 3)

ISBN-13: 9783319836829
ISBN-10: 331983682X
Edition: Softcover reprint of the original 1st ed. 2017
Author: Michael J. Lyons, Alexander Refsum Jensenius
Publication date: 2018
Publisher: Springer
Format: Paperback 527 pages
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Book details

ISBN-13: 9783319836829
ISBN-10: 331983682X
Edition: Softcover reprint of the original 1st ed. 2017
Author: Michael J. Lyons, Alexander Refsum Jensenius
Publication date: 2018
Publisher: Springer
Format: Paperback 527 pages

Summary

A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (Current Research in Systematic Musicology, 3) (ISBN-13: 9783319836829 and ISBN-10: 331983682X), written by authors Michael J. Lyons, Alexander Refsum Jensenius, was published by Springer in 2018. With an overall rating of 3.9 stars, it's a notable title among other books. You can easily purchase or rent A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (Current Research in Systematic Musicology, 3) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.58.

Description

What is a musical instrument? What are the musical instruments of the future? This anthology presents thirty papers selected from the fifteen year long history of the International Conference on New Interfaces for Musical Expression (NIME). NIME is a leading music technology conference, and an important venue for researchers and artists to present and discuss their explorations of musical instruments and technologies. Each of the papers is followed by commentaries written by the original authors and by leading experts. The volume covers important developments in the field, including the earliest reports of instruments like the reacTable, Overtone Violin, Pebblebox, and Plank. There are also numerous papers presenting new development platforms and technologies, as well as critical reflections, theoretical analyses and artistic experiences. The anthology is intended for newcomers who want to get an overview of recent advances in music technology. The historical traces, meta-discussions and reflections will also be of interest for longtime NIME participants. The book thus serves both as a survey of influential past work and as a starting point for new and exciting future developments.
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