9783030009816-3030009815-Basic Music Technology: An Introduction (Computational Music Science)

Basic Music Technology: An Introduction (Computational Music Science)

ISBN-13: 9783030009816
ISBN-10: 3030009815
Edition: 1st ed. 2018
Author: Guerino Mazzola, Yan Pang, William Heinze, Kyriaki Gkoudina, Gian Afrisando Pujakusuma, Jacob Grunklee, Zilu Chen, Tianxue Hu, Yiqing Ma
Publication date: 2018
Publisher: Springer
Format: Hardcover 210 pages
FREE US shipping
Buy

From $27.00

Book details

ISBN-13: 9783030009816
ISBN-10: 3030009815
Edition: 1st ed. 2018
Author: Guerino Mazzola, Yan Pang, William Heinze, Kyriaki Gkoudina, Gian Afrisando Pujakusuma, Jacob Grunklee, Zilu Chen, Tianxue Hu, Yiqing Ma
Publication date: 2018
Publisher: Springer
Format: Hardcover 210 pages

Summary

Basic Music Technology: An Introduction (Computational Music Science) (ISBN-13: 9783030009816 and ISBN-10: 3030009815), written by authors Guerino Mazzola, Yan Pang, William Heinze, Kyriaki Gkoudina, Gian Afrisando Pujakusuma, Jacob Grunklee, Zilu Chen, Tianxue Hu, Yiqing Ma, was published by Springer in 2018. With an overall rating of 3.7 stars, it's a notable title among other Music (Computer Science, Data Processing, Databases & Big Data, Introductory & Beginning, Programming, Applied, Mathematics) books. You can easily purchase or rent Basic Music Technology: An Introduction (Computational Music Science) (Hardcover) from BooksRun, along with many other new and used Music books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This is an introduction to basic music technology, including acoustics for sound production and analysis, Fourier, frequency modulation, wavelets, and physical modeling and a classification of musical instruments and sound spaces for tuning and counterpoint. The acoustical theory is applied to its implementation in analogue and digital technology, including a detailed discussion of Fast Fourier Transform and MP3 compression. Beyond acoustics, the book discusses important symbolic sound event representation and software as typically realized by MIDI and denotator formalisms. The concluding chapters deal with globalization of music on the Internet, referring to iTunes, Spotify and similar environments. The book will be valuable for students of music, music informatics, and sound engineering.
Rate this book Rate this book

We would LOVE it if you could help us and other readers by reviewing the book