9782848450063-2848450061-Bernar Venet: Displacing the Gravity of the Self

Bernar Venet: Displacing the Gravity of the Self

ISBN-13: 9782848450063
ISBN-10: 2848450061
Edition: Second ed.
Author: Thomas McEvilley
Publication date: 2006
Publisher: Hard Press Editions Dist A/C
Format: Paperback 165 pages
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Book details

ISBN-13: 9782848450063
ISBN-10: 2848450061
Edition: Second ed.
Author: Thomas McEvilley
Publication date: 2006
Publisher: Hard Press Editions Dist A/C
Format: Paperback 165 pages

Summary

Bernar Venet: Displacing the Gravity of the Self (ISBN-13: 9782848450063 and ISBN-10: 2848450061), written by authors Thomas McEvilley, was published by Hard Press Editions Dist A/C in 2006. With an overall rating of 4.2 stars, it's a notable title among other books. You can easily purchase or rent Bernar Venet: Displacing the Gravity of the Self (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.15.

Description

Bernar Venet (b. 1941, France) is a master of contemporary conceptual art who has worked in all media, from painting and sculpture to film, music and ballet. In his early work, Venet sought to distill art, to strip it of aesthetic or expressive content, and to reestablish it as purely âconceptual.â He withdrew from the art world in 1971, fulfilling a promise he had made four years prior to stop producing new work once he perceived that his term was up. After a six-year hiatus, the artist reemerged, and over the next thirty years produced a vast body of work in diverse media. This monograph, complete with over 300 illustrations, addresses the struggle of aesthetic and intellectual forces at play in contemporary art through the work of one of its foremost practitioners.Today, Venetâs sculpturesâmassive iron structures in three categories: lines and angles, arcs, and âindeterminateâ linesâare exhibited in museums and public spaces across the world. These forms, whether striking out independently into the air, leaning against a château, curving upward from the earth, or twisting arbitrarily around themselves or each other, stand at the threshold between the physical and the abstract, between the material and the purely geometricâtesting the liminal spaces between art, world, and mind.
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