Artists’ Moving Image in Britain Since 1989 (Paul Mellon Centre for Studies in British Art)
ISBN-13:
9781913107017
ISBN-10:
1913107019
Author:
Erika Balsom, Sarah Perks, Lucy Reynolds
Publication date:
2019
Publisher:
Paul Mellon Centre
Format:
Hardcover
544 pages
Category:
Film & Video Art
,
Photography & Video
FREE US shipping
Book details
ISBN-13:
9781913107017
ISBN-10:
1913107019
Author:
Erika Balsom, Sarah Perks, Lucy Reynolds
Publication date:
2019
Publisher:
Paul Mellon Centre
Format:
Hardcover
544 pages
Category:
Film & Video Art
,
Photography & Video
Summary
Artists’ Moving Image in Britain Since 1989 (Paul Mellon Centre for Studies in British Art) (ISBN-13: 9781913107017 and ISBN-10: 1913107019), written by authors
Erika Balsom, Sarah Perks, Lucy Reynolds, was published by Paul Mellon Centre in 2019.
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Description
An in-depth study of the expanding role of the moving image in British art over the past thirty years
Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation’s most vital areas of artistic practice. How did we get here? Artists’ Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives—disparate, entwined, and often colorful—that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments.
Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation’s most vital areas of artistic practice. How did we get here? Artists’ Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives—disparate, entwined, and often colorful—that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments.
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