9781894212069-1894212061-Glenn Ligon: Some Changes

Glenn Ligon: Some Changes

ISBN-13: 9781894212069
ISBN-10: 1894212061
Edition: Bilingual
Author: Wayne Koestenbaum, Wayne Baerwaldt, Darby English, Huey Copeland, Mark Nash
Publication date: 2009
Publisher: The Power Plant
Format: Paperback 200 pages
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Book details

ISBN-13: 9781894212069
ISBN-10: 1894212061
Edition: Bilingual
Author: Wayne Koestenbaum, Wayne Baerwaldt, Darby English, Huey Copeland, Mark Nash
Publication date: 2009
Publisher: The Power Plant
Format: Paperback 200 pages

Summary

Glenn Ligon: Some Changes (ISBN-13: 9781894212069 and ISBN-10: 1894212061), written by authors Wayne Koestenbaum, Wayne Baerwaldt, Darby English, Huey Copeland, Mark Nash, was published by The Power Plant in 2009. With an overall rating of 3.9 stars, it's a notable title among other Monographs (Individual Artists, Arts Collections, Criticism, Arts History & Criticism, Conceptual, Arts Other) books. You can easily purchase or rent Glenn Ligon: Some Changes (Paperback) from BooksRun, along with many other new and used Monographs books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.48.

Description

Glenn Ligon is one of the preeminent members of a generation of American artists who came to prominence in the late 1980s with conceptually-based paintings, photographs and text-oriented works concerning the social, linguistic and political constructions of race, gender and sexuality. Incorporating sources as diverse as photographic scrapbooks and Richard Pryor's stand-up comedy routines--his lush coal-dust paintings of excerpts from James Baldwin's 1955 essay "Stranger in the Village," for instance--Ligon's art is a meditation on representation of the self in relation to culture and history. Handsomely designed with a hardcover slipcase, Some Changes is the artist's first significant monograph. Well-illustrated texts by critics and curators Wayne Baerwaldt, Huey Copeland, Darby English, Wayne Koestenbaum and Mark Nash survey Ligon's works from 1982 to 2005, and a candid interview with Toronto artist Stephen Andrews delves into Ligon's personal insights and professional experiences.

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