9781861894397-1861894392-Caspar David Friedrich and the Subject of Landscape: Second Edition

Caspar David Friedrich and the Subject of Landscape: Second Edition

ISBN-13: 9781861894397
ISBN-10: 1861894392
Edition: Second
Author: Joseph Leo Koerner
Publication date: 2009
Publisher: Reaktion Books
Format: Paperback 328 pages
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Book details

ISBN-13: 9781861894397
ISBN-10: 1861894392
Edition: Second
Author: Joseph Leo Koerner
Publication date: 2009
Publisher: Reaktion Books
Format: Paperback 328 pages

Summary

Caspar David Friedrich and the Subject of Landscape: Second Edition (ISBN-13: 9781861894397 and ISBN-10: 1861894392), written by authors Joseph Leo Koerner, was published by Reaktion Books in 2009. With an overall rating of 4.5 stars, it's a notable title among other Individual Artists (Criticism, Arts History & Criticism, History) books. You can easily purchase or rent Caspar David Friedrich and the Subject of Landscape: Second Edition (Paperback) from BooksRun, along with many other new and used Individual Artists books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $2.77.

Description

Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.

Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.

“This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent

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