9781857094527-1857094522-Picasso: Challenging the Past

Picasso: Challenging the Past

ISBN-13: 9781857094527
ISBN-10: 1857094522
Edition: 1
Author: Simonetta Fraquelli, Christopher Riopelle, Susan Grace Galassi, Elizabeth Cowling, Neil Cox, Anne Robbins
Publication date: 2009
Publisher: National Gallery London
Format: Hardcover 176 pages
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Book details

ISBN-13: 9781857094527
ISBN-10: 1857094522
Edition: 1
Author: Simonetta Fraquelli, Christopher Riopelle, Susan Grace Galassi, Elizabeth Cowling, Neil Cox, Anne Robbins
Publication date: 2009
Publisher: National Gallery London
Format: Hardcover 176 pages

Summary

Picasso: Challenging the Past (ISBN-13: 9781857094527 and ISBN-10: 1857094522), written by authors Simonetta Fraquelli, Christopher Riopelle, Susan Grace Galassi, Elizabeth Cowling, Neil Cox, Anne Robbins, was published by National Gallery London in 2009. With an overall rating of 3.9 stars, it's a notable title among other books. You can easily purchase or rent Picasso: Challenging the Past (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

From his earliest years Pablo Picasso was a passionate student of the European painting tradition. He was naturally drawn to the Spanish masters Velázquez and Goya, but such figures as Rembrandt, Delacroix, Ingres, Manet, and Cézanne were also important artistic heroes. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his “quotations” were direct, other times highly allusive. Always Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition.

Liberally illustrated with 150 full-color plates of works by Picasso and those who inspired him, the book showcases the technical dexterity, independence, and vitality of Picasso’s creative processes as he daringly transformed the art of the past into, as he described it, “something else entirely."

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