9781839023392-1839023392-Dark Matter: Independent Filmmaking in the 21st Century

Dark Matter: Independent Filmmaking in the 21st Century

ISBN-13: 9781839023392
ISBN-10: 1839023392
Author: Michael Winterbottom
Publication date: 2021
Publisher: British Film Institute
Format: Paperback 208 pages
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ISBN-13: 9781839023392
ISBN-10: 1839023392
Author: Michael Winterbottom
Publication date: 2021
Publisher: British Film Institute
Format: Paperback 208 pages

Summary

Dark Matter: Independent Filmmaking in the 21st Century (ISBN-13: 9781839023392 and ISBN-10: 1839023392), written by authors Michael Winterbottom, was published by British Film Institute in 2021. With an overall rating of 4.5 stars, it's a notable title among other books. You can easily purchase or rent Dark Matter: Independent Filmmaking in the 21st Century (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.7.

Description

About the Author
Michael Winterbottom is the director of award-winning films and TV series including Jude (1996); Welcome to Sarajevo (1997); Wonderland (1999); 24 Hour Party People (2002); The Road to Guantanamo (2006); The Trip series, as well as the 2019 feature Greed (2019). He is currently working on a TV mini-series focusing on British Prime Minister Boris Johnson's handling of the Covid-19 crisis.
"Eye-opening and addictively readable." Total Film
Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content
and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to reflecting upon his own filmmaking career, featuring critical and commercial successes alongside a 'very long list' of films that didn't get made, Winterbottom also interviews leading contemporary filmmakers including Lynne Ramsay, Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking practice.
The book closes with a vision of how the contemporary filmmaking landscape could be reformed for the better with fairer funding and payment practices allowing for a more innovative and sustainable 21st century industry.

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