9781839022913-1839022914-M (BFI Film Classics)

M (BFI Film Classics)

ISBN-13: 9781839022913
ISBN-10: 1839022914
Edition: 2
Author: Anton Kaes
Publication date: 2021
Publisher: British Film Institute
Format: Paperback 112 pages
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Book details

ISBN-13: 9781839022913
ISBN-10: 1839022914
Edition: 2
Author: Anton Kaes
Publication date: 2021
Publisher: British Film Institute
Format: Paperback 112 pages

Summary

M (BFI Film Classics) (ISBN-13: 9781839022913 and ISBN-10: 1839022914), written by authors Anton Kaes, was published by British Film Institute in 2021. With an overall rating of 4.3 stars, it's a notable title among other books. You can easily purchase or rent M (BFI Film Classics) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.89.

Description

About the Author
Anton Kaes is Chancellor's Professor of German and Film Studies at the University of California, Berkeley, USA. He is the author of From Hitler to Heimat: The Return of History as Film (1989) and co-editor of The Weimar Republic Sourcebook (1994).
Fritz Lang's 'M' (1931) is an undisputed classic of world cinema. Lang considered it his most lasting work. Peter Lorre's extraordinary performance as the childlike misfit Hans Beckert was one of the most striking of film debuts, and it made him an international star. Lang's vision of a city gripped with fear, haunted by surveillance and total mobillization, is still remarkably powerful today. And 'M' resonates too in the serial-killer genre which is so prominent in contemporary cinema. 'M' speaks to us as a timeless classic, but also as a Weimar film that has too often been isolated from its political and cultural context. In this groundbreaking book, Anton Kaes reconnects 'M''s much-studied formal brilliance to its significance as an event in 1931 Germany, recapturing the film's extraordinary social and symbolic energy. Interweaving close reading with cultural history, Kaes reconstitutes 'M' as a crucial modernist artwork. In addition he analyzes Joseph Losey's 1951 film noir remake and, in an appendix, publishes for the first time 'M''s missing scene.

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