9781838719289-1838719288-Thelma & Louise (BFI Film Classics)

Thelma & Louise (BFI Film Classics)

ISBN-13: 9781838719289
ISBN-10: 1838719288
Edition: 2
Author: Marita Sturken
Publication date: 2020
Publisher: British Film Institute
Format: Paperback 104 pages
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Book details

ISBN-13: 9781838719289
ISBN-10: 1838719288
Edition: 2
Author: Marita Sturken
Publication date: 2020
Publisher: British Film Institute
Format: Paperback 104 pages

Summary

Thelma & Louise (BFI Film Classics) (ISBN-13: 9781838719289 and ISBN-10: 1838719288), written by authors Marita Sturken, was published by British Film Institute in 2020. With an overall rating of 4.4 stars, it's a notable title among other books. You can easily purchase or rent Thelma & Louise (BFI Film Classics) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.52.

Description

Thelma & Louise, directed by Ridley Scott and written by Callie Khouri, sparked a remarkable public discussion about feminism, violence, and the representation of women in cinema on its release in 1991. Subject to media vilification for its apparent justification of armed robbery and manslaughter, it was a huge hit with audiences composed largely but not exclusively of women who cheered the fugitive central characters played by Susan Sarandon and Geena Davis.
Marita Sturken examines Thelma & Louise as one of those rare films that encapsulates the politics of its time. She discusses the film's reworking of the outlaw genre, its reversal of gender roles, and its engagement with the complex relationship of women, guns adn the law. The insights of director Scott, screenwriter Khouri as well as Davis and Sarandon are deployed in an analysis of Thelma & Louise and the controversies it sparked. This is a compelling study of a landmark in 1990s American cinema.
In her foreword to this new edition, Sturken looks back on the film's reception at the time of its release, and considers its continuing resonances and topicality in the age of #MeToo.

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