9781788746243-1788746244-The Gate Theatre, Dublin (Carysfort Press Ltd.)

The Gate Theatre, Dublin (Carysfort Press Ltd.)

ISBN-13: 9781788746243
ISBN-10: 1788746244
Edition: New
Author: Clare
Publication date: 2018
Publisher: Peter Lang Publishing
Format: Paperback 432 pages
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Book details

ISBN-13: 9781788746243
ISBN-10: 1788746244
Edition: New
Author: Clare
Publication date: 2018
Publisher: Peter Lang Publishing
Format: Paperback 432 pages

Summary

The Gate Theatre, Dublin (Carysfort Press Ltd.) (ISBN-13: 9781788746243 and ISBN-10: 1788746244), written by authors Clare, was published by Peter Lang Publishing in 2018. With an overall rating of 4.2 stars, it's a notable title among other Psychology & Counseling (General, Psychology, Cultural, Anthropology, Anthropology, Behavioral Sciences) books. You can easily purchase or rent The Gate Theatre, Dublin (Carysfort Press Ltd.) (Paperback) from BooksRun, along with many other new and used Psychology & Counseling books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

The Gate Theatre is one of Ireland's major theatres. It has produced important new plays by such figures as Brian Friel, Conor McPherson, and Denis Johnston - while also premiering significant works by other writers, including unjustly neglected women dramatists such as Mary Manning, Christine Longford, and Maura Laverty. It has made huge contributions to the art of theatre in Ireland, not only in relation to acting (launching the careers of Orson Welles, James Mason, and Michael Gambon) but also in terms of direction and design. And it has made a major contribution to the world's understanding of Samuel Beckett, Harold Pinter, and others.

Despite these incredible achievements, the theatre has been the subject of very little critical attention to date. This book redresses this problem; it is, in fact, the very first scholarly essay collection devoted entirely to the theatre. It gathers together leading academics and critics who explore the Gate's achievements in relation to the development of new Irish writing and new Irish theatre practices. The book is written with scholarly rigour but also in accessible language and would therefore be of interest to anyone with a passion for Irish theatre.

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