9781782797593-1782797599-Babbling Corpse: Vaporwave And The Commodification Of Ghosts

Babbling Corpse: Vaporwave And The Commodification Of Ghosts

ISBN-13: 9781782797593
ISBN-10: 1782797599
Author: Grafton Tanner
Publication date: 2016
Publisher: Zero Books
Format: Paperback 104 pages
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Book details

ISBN-13: 9781782797593
ISBN-10: 1782797599
Author: Grafton Tanner
Publication date: 2016
Publisher: Zero Books
Format: Paperback 104 pages

Summary

Babbling Corpse: Vaporwave And The Commodification Of Ghosts (ISBN-13: 9781782797593 and ISBN-10: 1782797599), written by authors Grafton Tanner, was published by Zero Books in 2016. With an overall rating of 3.6 stars, it's a notable title among other Theory, Composition & Performance (Communication & Media Studies, Social Sciences, Popular Culture, Music) books. You can easily purchase or rent Babbling Corpse: Vaporwave And The Commodification Of Ghosts (Paperback) from BooksRun, along with many other new and used Theory, Composition & Performance books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.83.

Description

In the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry. Ours is a time of ghosts in machines, killing meaning and exposing the gaps inherent in the electronic media that pervade our lives. Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media's ability to appear - as media theorist Jeffrey Sconce terms it - "haunted." Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production. Babbling Corpse reveals vaporwave's many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism's effect on art, musical raids on mainstream "indie" and popular music, and anyone intrigued by the changing relationship between art and commerce.

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