9781780240688-1780240686-Creative Writing with Critical Theory: Inhabitation

Creative Writing with Critical Theory: Inhabitation

ISBN-13: 9781780240688
ISBN-10: 1780240686
Edition: First Edition
Author: Amy Matthews, Paul Hetherington, Dan Disney, Katharine Coles, Simon West, Andy Jackson, Eugen Bacon, Dominique Hecq, Shari Kocher, Graeme Harper, Paul Munden, Julian Novitz, Lia Hills, Gail Pittaway, Eleanor Hogan, Amelia Walker, Julian No
Publication date: 2018
Publisher: Gylphi
Format: Paperback 292 pages
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Book details

ISBN-13: 9781780240688
ISBN-10: 1780240686
Edition: First Edition
Author: Amy Matthews, Paul Hetherington, Dan Disney, Katharine Coles, Simon West, Andy Jackson, Eugen Bacon, Dominique Hecq, Shari Kocher, Graeme Harper, Paul Munden, Julian Novitz, Lia Hills, Gail Pittaway, Eleanor Hogan, Amelia Walker, Julian No
Publication date: 2018
Publisher: Gylphi
Format: Paperback 292 pages

Summary

Creative Writing with Critical Theory: Inhabitation (ISBN-13: 9781780240688 and ISBN-10: 1780240686), written by authors Amy Matthews, Paul Hetherington, Dan Disney, Katharine Coles, Simon West, Andy Jackson, Eugen Bacon, Dominique Hecq, Shari Kocher, Graeme Harper, Paul Munden, Julian Novitz, Lia Hills, Gail Pittaway, Eleanor Hogan, Amelia Walker, Julian No, was published by Gylphi in 2018. With an overall rating of 3.6 stars, it's a notable title among other books. You can easily purchase or rent Creative Writing with Critical Theory: Inhabitation (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

This book is designed for creative writing practitioners and anyone interested in how literary works come into being. By focusing on the idea of inhabitation, it explores the links between creative and critical practice. It investigates how writers from around the globe forge connections between critical theory and their practice in sharply particular creative contexts. The collection highlights the versatility of creative modes of research; it enables understandings of how we make and remake texts and to what ends; it provides opportunities to survey how creative artists engage with research.

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