9781732321212-1732321213-Mirror, Mirror: The Prints of Alison Saar: From the Collections of Jordan D. Schnitzer and His Family Foundation

Mirror, Mirror: The Prints of Alison Saar: From the Collections of Jordan D. Schnitzer and His Family Foundation

ISBN-13: 9781732321212
ISBN-10: 1732321213
Author: Carolyn Vaughn
Publication date: 2019
Publisher: Jordan Schnitzer Family Foundation
Format: Hardcover 128 pages
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Book details

ISBN-13: 9781732321212
ISBN-10: 1732321213
Author: Carolyn Vaughn
Publication date: 2019
Publisher: Jordan Schnitzer Family Foundation
Format: Hardcover 128 pages

Summary

Mirror, Mirror: The Prints of Alison Saar: From the Collections of Jordan D. Schnitzer and His Family Foundation (ISBN-13: 9781732321212 and ISBN-10: 1732321213), written by authors Carolyn Vaughn, was published by Jordan Schnitzer Family Foundation in 2019. With an overall rating of 4.0 stars, it's a notable title among other Arts Collections (Criticism, Arts History & Criticism, Prints, Arts Other) books. You can easily purchase or rent Mirror, Mirror: The Prints of Alison Saar: From the Collections of Jordan D. Schnitzer and His Family Foundation (Hardcover) from BooksRun, along with many other new and used Arts Collections books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

Mirror, Mirror collects the vast body of prints made by Los Angeles–based artist Alison Saar (born 1956) over the past 35 years. Addressing issues of race, gender and spirituality, her lithographs, etchings and woodblock prints are evocations of the sculptures for which she is renowned. Saar undertakes printmaking with the same tangible approach to unconventional materials and methods found in her sculpture. Cast-off objects such as old chair backs and found ceiling tin become the foundations for etching or lithography plates. Carved wooden panels used for wood block prints echo similar techniques established in her hewn wooden forms. In addition to printing on paper, Saar also employs a variety of used fabrics like vintage handkerchiefs, old shop rags and antique sugar sacks that are layered, cut, sewn and collaged―empowering the content of the image while resisting the flat repetitive nature of the medium.

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