9781646420582-1646420586-Folklore and Social Media

Folklore and Social Media

ISBN-13: 9781646420582
ISBN-10: 1646420586
Edition: 1
Author: Trevor J. Blank, Andrew Peck
Publication date: 2020
Publisher: Utah State University Press
Format: Paperback 266 pages
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Book details

ISBN-13: 9781646420582
ISBN-10: 1646420586
Edition: 1
Author: Trevor J. Blank, Andrew Peck
Publication date: 2020
Publisher: Utah State University Press
Format: Paperback 266 pages

Summary

Folklore and Social Media (ISBN-13: 9781646420582 and ISBN-10: 1646420586), written by authors Trevor J. Blank, Andrew Peck, was published by Utah State University Press in 2020. With an overall rating of 3.5 stars, it's a notable title among other Folklore & Mythology (Social Sciences, Communication & Media Studies) books. You can easily purchase or rent Folklore and Social Media (Paperback) from BooksRun, along with many other new and used Folklore & Mythology books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $1.11.

Description

Ten years after the publication of the foundational edited collection Folklore and the Internet, Andrew Peck and Trevor J. Blank bring an essential update of scholarship to the study of digital folklore, Folklore and Social Media. A unique virtual, hybridized platform for human communication, social media is more dynamic, ubiquitous, and nuanced than the internet ever was by itself, and the majority of Americans use it to access and interact with digital source materials in more advanced and robust ways.

 

This book features twelve chapters ranging in topics from legend transmission and fake news to case studies of memes, joke cycles, and Twitter hashtag campaigns and offers fresh insights on digital heritage and web archiving. The editors and contributors take both the "digital" and "folklore" elements seriously because social media fundamentally changes folk practices in new, though often invisible, ways. Social media platforms encourage hybrid performances that appear informal and ordinary while also offering significant space to obfuscate backstage behaviors through editing and retakes. The result is that expression online becomes increasingly reminiscent of traditional forms of face-to-face interaction, while also hiding its fundamental differences.

 

Folklore and Social Media demonstrates various ways to refine methods and analyses in order to develop a better understanding of the informal and traditional dynamics that define an era of folklore and social media. It is an invaluable addition to the literature on digital folklore scholarship that will be of interest to students and scholars alike.

 

Contributors:

Sheila Bock, Peter M. Broadwell, Bill Ellis, Jeana Jorgensen, Liisi Laineste, John Laudun, Linda J. Lee, Lynne S. McNeill, Ryan M. Milner, Whitney Phillips, Vwani Roychowdhury, Timothy R. Tangherlini, Tok Thompson, Elizabeth Tucker, Kristiana Willsey

 

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