Kerry James Marshall: History of Painting
ISBN-13:
9781644230152
ISBN-10:
1644230151
Publication date:
2019
Publisher:
David Zwirner Books
Format:
Hardcover
96 pages
Category:
Monographs
,
Individual Artists
,
History
,
Arts History & Criticism
,
Painting
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Book details
ISBN-13:
9781644230152
ISBN-10:
1644230151
Publication date:
2019
Publisher:
David Zwirner Books
Format:
Hardcover
96 pages
Category:
Monographs
,
Individual Artists
,
History
,
Arts History & Criticism
,
Painting
Summary
Kerry James Marshall: History of Painting (ISBN-13: 9781644230152 and ISBN-10: 1644230151), was published by David Zwirner Books in 2019.
With an overall rating of 4.3 stars, it's a notable title among other
Monographs
(Individual Artists, History, Arts History & Criticism, Painting) books. You can easily purchase or rent Kerry James Marshall: History of Painting (Hardcover) from BooksRun,
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Description
Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.
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