9781616895723-1616895721-Never Use Futura (The history of a typeface)

Never Use Futura (The history of a typeface)

ISBN-13: 9781616895723
ISBN-10: 1616895721
Edition: Illustrated
Author: Douglas Thomas
Publication date: 2017
Publisher: Princeton Architectural Press
Format: Paperback 208 pages
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Book details

ISBN-13: 9781616895723
ISBN-10: 1616895721
Edition: Illustrated
Author: Douglas Thomas
Publication date: 2017
Publisher: Princeton Architectural Press
Format: Paperback 208 pages

Summary

Never Use Futura (The history of a typeface) (ISBN-13: 9781616895723 and ISBN-10: 1616895721), written by authors Douglas Thomas, was published by Princeton Architectural Press in 2017. With an overall rating of 4.0 stars, it's a notable title among other Decorative Arts & Design (Typography, Graphic Design) books. You can easily purchase or rent Never Use Futura (The history of a typeface) (Paperback) from BooksRun, along with many other new and used Decorative Arts & Design books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.81.

Description

It's everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, the artworks of Barbara Kruger, Ed Ruscha, and Jenny Holzer, 2001: A Space Odyssey credits, Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Futura and its typographic offspring have been the face of presidential campaigns from Richard Nixon to Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today—the typeface of modern design—more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own.

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