More than One Picture: An Art History of the Hyperimage
ISBN-13:
9781606066256
ISBN-10:
1606066250
Edition:
1
Author:
Felix Thurlemann
Publication date:
2019
Publisher:
Getty Research Institute
Format:
Paperback
240 pages
Category:
Arts Collections
,
Museum Studies & Museology
,
Social Sciences
FREE US shipping
Book details
ISBN-13:
9781606066256
ISBN-10:
1606066250
Edition:
1
Author:
Felix Thurlemann
Publication date:
2019
Publisher:
Getty Research Institute
Format:
Paperback
240 pages
Category:
Arts Collections
,
Museum Studies & Museology
,
Social Sciences
Summary
More than One Picture: An Art History of the Hyperimage (ISBN-13: 9781606066256 and ISBN-10: 1606066250), written by authors
Felix Thurlemann, was published by Getty Research Institute in 2019.
With an overall rating of 4.3 stars, it's a notable title among other
Arts Collections
(Museum Studies & Museology, Social Sciences) books. You can easily purchase or rent More than One Picture: An Art History of the Hyperimage (Paperback) from BooksRun,
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Description
This thought-provoking and original book argues that hyperimages—calculated displays of images on walls or pages—have played a major role in the history of art.
In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thürlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. In part because the hyperimage is not permanently available, this interplay of images has been largely unexplored.
Through case studies organized within three groups of producers—collectors and curators, art historians, and artists—Thürlemann proposes a theory of the hyperimage, explores the semiotic nature of this plural image use, and discusses the arrangement and interpretation of such pictures in order to illuminate the phenomenon of Western image culture from the beginning of the seventeenth century until today. His analysis of the ways in which images are assembled and associated provides a crucial context for the explosive present-day deployment of images on digital devices.
In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thürlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. In part because the hyperimage is not permanently available, this interplay of images has been largely unexplored.
Through case studies organized within three groups of producers—collectors and curators, art historians, and artists—Thürlemann proposes a theory of the hyperimage, explores the semiotic nature of this plural image use, and discusses the arrangement and interpretation of such pictures in order to illuminate the phenomenon of Western image culture from the beginning of the seventeenth century until today. His analysis of the ways in which images are assembled and associated provides a crucial context for the explosive present-day deployment of images on digital devices.
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