9781606065969-1606065963-Out of Bounds: The Collected Writings of Marcia Tucker

Out of Bounds: The Collected Writings of Marcia Tucker

ISBN-13: 9781606065969
ISBN-10: 1606065963
Edition: 1
Author: Johanna Burton, Lisa Phillips, Alicia Ritson
Publication date: 2019
Publisher: Getty Research Institute
Format: Paperback 288 pages
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Book details

ISBN-13: 9781606065969
ISBN-10: 1606065963
Edition: 1
Author: Johanna Burton, Lisa Phillips, Alicia Ritson
Publication date: 2019
Publisher: Getty Research Institute
Format: Paperback 288 pages

Summary

Out of Bounds: The Collected Writings of Marcia Tucker (ISBN-13: 9781606065969 and ISBN-10: 1606065963), written by authors Johanna Burton, Lisa Phillips, Alicia Ritson, was published by Getty Research Institute in 2019. With an overall rating of 3.7 stars, it's a notable title among other Criticism (Arts History & Criticism) books. You can easily purchase or rent Out of Bounds: The Collected Writings of Marcia Tucker (Paperback) from BooksRun, along with many other new and used Criticism books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.47.

Description

Jointly published by the Getty Research Institute and the New Museum.

The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts—many of which have never before been published—by Marcia Tucker, founding director of New York’s New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics.

The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.

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