9781606060391-1606060392-G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926

G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926

ISBN-13: 9781606060391
ISBN-10: 1606060392
Edition: Illustrated
Author: Michael W. Jennings, Detlef Mertins
Publication date: 2010
Publisher: Getty Research Institute
Format: Hardcover 280 pages
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Book details

ISBN-13: 9781606060391
ISBN-10: 1606060392
Edition: Illustrated
Author: Michael W. Jennings, Detlef Mertins
Publication date: 2010
Publisher: Getty Research Institute
Format: Hardcover 280 pages

Summary

G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926 (ISBN-13: 9781606060391 and ISBN-10: 1606060392), written by authors Michael W. Jennings, Detlef Mertins, was published by Getty Research Institute in 2010. With an overall rating of 4.3 stars, it's a notable title among other History (Arts History & Criticism) books. You can easily purchase or rent G: An Avant-Garde Journal of Art, Architecture, Design, and Film, 1923-1926 (Hardcover, Used) from BooksRun, along with many other new and used History books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

First published in 1923, the journal G: Material zur Elementaren Gestaltung (G: Materials for Elemental Form-Creation) helped shape a new phase in the history of the European avant-garde. Founded by Hans Richter, a pioneer of abstract animated film, G featured works by some of the important names in the advanced cultures of Europe: Hans Arp, Walter Benjamin, Theo van Doesburg, Viking Eggeling, Naum Gabo, Werner Graeff, George Grosz, Hugo Häring, Raoul Hausmann, Ludwig Hilberseimer, Frederick Kiesler, El Lissitzky, Ludwig Mies van der Rohe, Antoine Pevsner, Man Ray, and Tristan Tzara.

This edition, the first in English translation, preserves the original design by Lissitzky, Richter, and Graeff, and includes essays that explore the role of the journal in its time and in relation to contemporary culture. An introduction analyzes the principles of the journal, situates it in the culture of the early 1920s, and evaluates its achievements.

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