9781597400510-1597400513-After the Great Divide: Modernism, Mass Culture, Postmodernism

After the Great Divide: Modernism, Mass Culture, Postmodernism

ISBN-13: 9781597400510
ISBN-10: 1597400513
Author: Andreas Huyssen
Publication date: 1899
Publisher: ACLS History E-Book Project
Format: Hardcover 260 pages
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Book details

ISBN-13: 9781597400510
ISBN-10: 1597400513
Author: Andreas Huyssen
Publication date: 1899
Publisher: ACLS History E-Book Project
Format: Hardcover 260 pages

Summary

After the Great Divide: Modernism, Mass Culture, Postmodernism (ISBN-13: 9781597400510 and ISBN-10: 1597400513), written by authors Andreas Huyssen, was published by ACLS History E-Book Project in 1899. With an overall rating of 4.1 stars, it's a notable title among other books. You can easily purchase or rent After the Great Divide: Modernism, Mass Culture, Postmodernism (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

"One of the most comprehensive and intelligent postmodern critics of art and literature, Huyssen collects here a series of his essays on pomo... " —Village Voice Literary Supplement

"... his work remains alert to the problematic relationship obtaining between marxisms and poststructuralisms." —American Literary History

"... challenging and astute." —World Literature Today

"Huyssen's level-headed account of this controversial constellation of critical voices brings welcome clarification to today's murky haze of cultural discussion and proves definitively that commentary from the tradition of the German Left has an indispensable role to play in contemporary criticism." —The German Quarterly

"... we will certainly have, after reading this book, a deeper understanding of the forces that have led up to the present and of the possibilities still open to us." —Critical Texts

"... a rich, multifaceted study." —The Year's Work in English Studies

Huyssen argues that postmodernism cannot be regarded as a radical break with the past, as it is deeply indebted to that other trend within the culture of modernity—the historical avant-garde.

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