Gregory Crewdson: Cathedral of the Pines
ISBN-13:
9781597113502
ISBN-10:
1597113506
Edition:
First Edition
Author:
Alexander Nemerov
Publication date:
2016
Publisher:
Aperture
Format:
Hardcover
76 pages
Category:
Equipment, Techniques & Reference
,
Photography & Video
,
Portraits
,
New England
,
Regional U.S.
FREE US shipping
Book details
ISBN-13:
9781597113502
ISBN-10:
1597113506
Edition:
First Edition
Author:
Alexander Nemerov
Publication date:
2016
Publisher:
Aperture
Format:
Hardcover
76 pages
Category:
Equipment, Techniques & Reference
,
Photography & Video
,
Portraits
,
New England
,
Regional U.S.
Summary
Gregory Crewdson: Cathedral of the Pines (ISBN-13: 9781597113502 and ISBN-10: 1597113506), written by authors
Alexander Nemerov, was published by Aperture in 2016.
With an overall rating of 4.5 stars, it's a notable title among other
Equipment, Techniques & Reference
(Photography & Video, Portraits, New England, Regional U.S.) books. You can easily purchase or rent Gregory Crewdson: Cathedral of the Pines (Hardcover) from BooksRun,
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Description
Cathedral of the Pines presents Gregory Crewdson's first new body of work in over five years. The series marks a return to Crewdson's classic style of storytelling via the single image, using light and color to create newly intimate, psychologically charged imagery. It also marks a time of transition for the artist, including a retreat from New York to a remote home and studio in western Massachusetts—a period of time during which Crewdson chose to remain socially withdrawn, instead committing to daily, long-distance, open-water swims and cross-country skiing on wooded paths. Cathedral of the Pines is named after one of these trails, deep in the forests of Becket, Massachusetts, the site where he found the inspiration to make these new pictures. It was there that he felt darkness lift, experienced a reconnection with his artistic process, and moved into a period of renewal and intense creative productivity. The photographs are accompanied by an essay by Alexander Nemerov, who addresses the work in relation to the American past, focusing in particular on the way the images draw space and time down to ceremonial points, in which all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson's scenes gathered the unruly sorrows and other little-guessed feelings of people long gone who once stood on those spots.
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