9781575255996-1575255995-60 Seconds to Shine Volume 6: 221 One-Minute Monologues from Classic Plays (60 Seconds to Shine Series-Monologue Audition Series)

60 Seconds to Shine Volume 6: 221 One-Minute Monologues from Classic Plays (60 Seconds to Shine Series-Monologue Audition Series)

ISBN-13: 9781575255996
ISBN-10: 1575255995
Edition: Volume 6
Author: John Capecci, Irene Ziegler Aston
Publication date: 2009
Publisher: Smith & Kraus
Format: Paperback 272 pages
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Book details

ISBN-13: 9781575255996
ISBN-10: 1575255995
Edition: Volume 6
Author: John Capecci, Irene Ziegler Aston
Publication date: 2009
Publisher: Smith & Kraus
Format: Paperback 272 pages

Summary

60 Seconds to Shine Volume 6: 221 One-Minute Monologues from Classic Plays (60 Seconds to Shine Series-Monologue Audition Series) (ISBN-13: 9781575255996 and ISBN-10: 1575255995), written by authors John Capecci, Irene Ziegler Aston, was published by Smith & Kraus in 2009. With an overall rating of 4.1 stars, it's a notable title among other books. You can easily purchase or rent 60 Seconds to Shine Volume 6: 221 One-Minute Monologues from Classic Plays (60 Seconds to Shine Series-Monologue Audition Series) (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.46.

Description

This anticipated volume in Smith and Kraus's highly-praised 60 Seconds to Shine Series, 221 One-Minute Monologues from Classic Plays, is the next book auditioning actors must have, created specifically for those who have only one minute to showcase their talent and need a short classic monologue for their repetoire. The editors have assembled a unique collection for men and women including monologues from a diverse selection of classic plays by authors such as: Aeschylus, Chekhov, Euripides, Filipo, Goethe, Goldoni, Havel, Kleist, Marivaux, Moliere, Pirandello, Rostand, Santander, Schnitzler, Scribe, Shakespeare, Sophokles, Wedekind.



Each monologue embodies a well-defined character and includes strong emotional content. These monologues are not from dusty old translations from the 1950s all have been recently translated and use language that speaks to modern audiences. The monologues are organized by gender and indexed by tone and author to help the actor identify those most suited to the actor s needs. Each monologue is introduced with character and scene information to help the actor understand the context of the selection.

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