9781560256335-1560256338-Sweet Sweetback's Baadasssss Song: A Guerilla Filmmaking Manifesto

Sweet Sweetback's Baadasssss Song: A Guerilla Filmmaking Manifesto

ISBN-13: 9781560256335
ISBN-10: 1560256338
Author: Melvin Van Peebles
Publication date: 2004
Publisher: Da Capo Press
Format: Paperback 176 pages
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Book details

ISBN-13: 9781560256335
ISBN-10: 1560256338
Author: Melvin Van Peebles
Publication date: 2004
Publisher: Da Capo Press
Format: Paperback 176 pages

Summary

Sweet Sweetback's Baadasssss Song: A Guerilla Filmmaking Manifesto (ISBN-13: 9781560256335 and ISBN-10: 1560256338), written by authors Melvin Van Peebles, was published by Da Capo Press in 2004. With an overall rating of 4.5 stars, it's a notable title among other books. You can easily purchase or rent Sweet Sweetback's Baadasssss Song: A Guerilla Filmmaking Manifesto (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

In 1971, Melvin Van Peebles's independently produced film Sweet Sweetback's Baadasssss Song became the top-grossing independent film of that year, helped usher in the blaxploitation genre, and served as the flag-bearer for independent filmmakers. Melvin's original diary of his struggles to conceptualize, finance, film, and distribute Sweetback will become an indispensable guide for aspiring filmmakers. Melvin is the authentic pioneer, and his achievement—and the determination he displayed—are eye-opening and inspiring. As son Mario Van Peebles (who made his debut in Sweetback) recalls in his Introduction, "[Melvin] was forced to self-finance, constantly on the brink of ruin, his crew got arrested and jailed, death threats, and yet [at first] he refused to submit his film to the all-white MPAA ratings board for approval. The film then received an X rating. My dad, true to form, printed t-shirts that read ‘Rated X ... by an all white jury' and made it part of his marketing campaign." Mario reflects on his father's example and contrasts Melvin's guerrilla filmmaking with the possibilities—technological, economic, and cultural—open to filmmakers, especially black filmmakers, today. Photographs are included in this incredible filmmaking manifesto.
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