9781555409746-1555409741-The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19Th-Century American Art (American Academy of Religion Academy Series)

The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19Th-Century American Art (American Academy of Religion Academy Series)

ISBN-13: 9781555409746
ISBN-10: 1555409741
Edition: 0
Author: Diane Apostolos-Cappadona
Publication date: 2016
Publisher: UNKNO
Format: Hardcover 234 pages
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Book details

ISBN-13: 9781555409746
ISBN-10: 1555409741
Edition: 0
Author: Diane Apostolos-Cappadona
Publication date: 2016
Publisher: UNKNO
Format: Hardcover 234 pages

Summary

The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19Th-Century American Art (American Academy of Religion Academy Series) (ISBN-13: 9781555409746 and ISBN-10: 1555409741), written by authors Diane Apostolos-Cappadona, was published by UNKNO in 2016. With an overall rating of 4.2 stars, it's a notable title among other books. You can easily purchase or rent The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19Th-Century American Art (American Academy of Religion Academy Series) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.41.

Description

Christian Romanticism was a response to social changes within nineteenth-century American culture, including women's literacy, spiritual domesticity, and the idealization of childhood. This book examines the work of three artists of the first American landscape tradition -- Washington Alston, Thomas Cole, and Frederic Edwin Church -- and two clergymen -- Horace Bushnell and Henry Ward Beecher. It assesses their understanding of the artist as a social and moral teacher, the didactic role of art in society more generally, and a God who acts in history. The author finds that the art of Allston, Cole, and Church expressed and served the dominant middle-class religious ideology of the time -- Christian Romanticism. This distinguishes their work from more elitist and regional work.
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