9781554588282-1554588286-Writing Surfaces: Selected Fiction of John Riddell

Writing Surfaces: Selected Fiction of John Riddell

ISBN-13: 9781554588282
ISBN-10: 1554588286
Author: Lori Emerson, John Riddell, derek beaulieu
Publication date: 2013
Publisher: Wilfrid Laurier University Press
Format: Paperback 164 pages
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Book details

ISBN-13: 9781554588282
ISBN-10: 1554588286
Author: Lori Emerson, John Riddell, derek beaulieu
Publication date: 2013
Publisher: Wilfrid Laurier University Press
Format: Paperback 164 pages

Summary

Writing Surfaces: Selected Fiction of John Riddell (ISBN-13: 9781554588282 and ISBN-10: 1554588286), written by authors Lori Emerson, John Riddell, derek beaulieu, was published by Wilfrid Laurier University Press in 2013. With an overall rating of 4.3 stars, it's a notable title among other books. You can easily purchase or rent Writing Surfaces: Selected Fiction of John Riddell (Paperback) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

In Writing Surfaces, derek beaulieu and Lori Emerson present a collection of John Riddell’s work. Riddell’s poems and short stories are a remarkable mix of largely typewriter-based concrete poetry mixed with fiction and drawings. Riddell’s oeuvre fell out of popular attention, but it has recently garnered interest among poets and critics engaged with media studies (especially studies of the typewriter) and experimental writing. Riddell is best known for his short fiction pieces “H” and “Pope Leo: El Elope,” a pair of graphic fictions written in collaboration with, or dedicated to, bpNichol. However, his work moves well beyond comic strips into a series of radical fictions. Riddell’s work embraces game play, unreadability and illegibility, procedural work, non-representational narrative, photocopy degeneration, collage, handwritten texts, and gestural work. His self-aware and meta-textual short fiction challenges the limits of machine-based composition and his reception as a media-based poet. With media studies increasingly turning to “media archaeology” and the reading and study of antiquated, analogue-based modes of composition (as typified by the photocopier and the fax machine as well as the typewriter), Riddell is a perfect candidate for further appreciation and study by new generations of readers, authors, and scholars.
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