9781501311840-1501311840-The History of French Literature on Film (The History of World Literatures on Film)

The History of French Literature on Film (The History of World Literatures on Film)

ISBN-13: 9781501311840
ISBN-10: 1501311840
Author: Andrew Watts, Kate Griffiths
Publication date: 2020
Publisher: Bloomsbury Academic
Format: Hardcover 328 pages
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Book details

ISBN-13: 9781501311840
ISBN-10: 1501311840
Author: Andrew Watts, Kate Griffiths
Publication date: 2020
Publisher: Bloomsbury Academic
Format: Hardcover 328 pages

Summary

The History of French Literature on Film (The History of World Literatures on Film) (ISBN-13: 9781501311840 and ISBN-10: 1501311840), written by authors Andrew Watts, Kate Griffiths, was published by Bloomsbury Academic in 2020. With an overall rating of 3.5 stars, it's a notable title among other books. You can easily purchase or rent The History of French Literature on Film (The History of World Literatures on Film) (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert's Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.

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