9781498555104-1498555101-Intercourse in Television and Film: The Presentation of Explicit Sex Acts

Intercourse in Television and Film: The Presentation of Explicit Sex Acts

ISBN-13: 9781498555104
ISBN-10: 1498555101
Author: Lindsay Coleman, Carol Siegel
Publication date: 2018
Publisher: Lexington Books
Format: Hardcover 202 pages
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Book details

ISBN-13: 9781498555104
ISBN-10: 1498555101
Author: Lindsay Coleman, Carol Siegel
Publication date: 2018
Publisher: Lexington Books
Format: Hardcover 202 pages

Summary

Intercourse in Television and Film: The Presentation of Explicit Sex Acts (ISBN-13: 9781498555104 and ISBN-10: 1498555101), written by authors Lindsay Coleman, Carol Siegel, was published by Lexington Books in 2018. With an overall rating of 4.1 stars, it's a notable title among other books. You can easily purchase or rent Intercourse in Television and Film: The Presentation of Explicit Sex Acts (Hardcover) from BooksRun, along with many other new and used books and textbooks. And, if you're looking to sell your copy, our current buyback offer is $0.3.

Description

As many critics and theorists have noted, non-pornographic films, documentaries, and quality television series have increasingly included explicit sex scenes since the 1990s, some of such scenes featuring the performance of actual sex acts. The incidence of sex in narratively powerful, resonant visual media can no longer be dismissed as a trend. What was once an aesthetic weapon in the arsenal of provocateurs is now frequently integrated seamlessly into the mise-en-scène and exposition of widely viewed and culturally significant films and television series. Intercourse in Television and Film: The Presentation of Explicit Sex Acts analyzes the aesthetic and narrative contexts for the visual media presentation of the sexual act, both those which are non-simulated and those which are explicit to that point that their simulation is brought into question by the viewer. In this book, questions involving the performance choices of actors, the framing and editing of the sex act, and the director's attempts at integrating sexuality into the overall narrative structure as well as their effects are explored.
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